Rand Abu Al-Sha’r hails from Amman, Jordan, and is an architectural studies major. She completed her thesis on rethinking refugee shelter design and is interested in incorporating sustainability within architecture.
Report of one day during the create-shop 2013: RUMBLING MACHINES
Rumbling machines, steady hands, and hospitality would summarize todays Wonderland. After half an hour drive we arrived in Hebron were we would spend most of our day. When entering the city a warning sign welcomed us ‘No entry for Israelis, entry illegal by israeli law’, as if it was Area 51. In Hebron, the biggest city in Palestine considering the 170.000 inhabitants of H1 and H2, our first stop would be the ceramic and glass workshop. After a quick tour we wandered around the place, admiring the craftsmen that were blowing glass and gracefully decorating pottery. The ease with which they made their glass products was fascinating to see. With the options in mind some of us started painting or collecting ideas for possible products. Several tourists and interested people entered the workshop on and off and were shown around, for a while making it look like an artisan showroom. Our next stop was The Hirbawi Keffiyeh Factory “Raise your keffiyeh, Raise it” as Arab Idol winner Mohammed Assaf sings in “Ali Keffiyeh”. The rumbling sounds of weaving machines slowly came towards us when entering the factory. In the entrance hall a big bedouin tent was implemented as a business meeting point. Two man were keeping a close eye on the keffiyeh during the manufacturing process, removing the threads that were superfluous. The factory, operational since 1961, annually produced 150.000 scarfs until the early 1990s. “Today, due to the signing of the 1993 Oslo Accords and the opening of trade with the outside world, only four machines remain in operation producing a mere 10,000 scarves a year. Not one of these scarves are exported, as overseas suppliers produce mass quantities at a fraction of the price, and the shrinking Palestinian economy and Israeli checkpoints and roadblocks create further hindrances to production and trade for small businesses like Mr. Hirbawi’s. In Mr. Hirbawi’s own words: My machines are in good shape. They can start working tomorrow. I just need a market.”
In the office factory several keffiyehs were bought either for personal use or for artistic purposes. After we filled our bags with the Palestinian symbol of all symbols, Maher Shaheen — one of the participants — invited us to his house for a tea and a sweet arabic coffee. It was a perfect closure of the day being invited into the intimacy of a palestinian family.
Ibrahim is a Palestinian architect based in Jerusalem.
"Each of the designs developed in the create shops are representing the situation of the people in the West Bank, Gaza or Jerusalem. They deal with the wall, the checkpoints, the violence, the closed borders and so on and at the same time they express our pride to be from Palestine. Through DDFP, we are encouraged to do more to show to the world the current atrocious situation.
It may be true that the revenue side is still under construction, but I find it more important that we create a symbolic economy. When people from all over the world are buying and using our objects, we enable them to make a comment on our case and we allow them to join the resistance. Money well invested, if you ask me.
By participating in DDFP I really challenged myself and I improved my thinking. I expanded my field of expertise and I created things that I never thought possible. To me, it was especially an imaginative development."(From Kurt Vanbelleghem interview, Can one really benefit from a social design project, or is it just another spin at the wheel?)
Rudy J. Luijters is a Dutch artist and beekeeper living and working in Brussels and Gouvy, Belgium. His work consistently attests to a strongly analytical (phenomenological) and conceptual approach. Research into cultural signs in the broadest sense of the word is an essential part of his work and also its goal at times.
Majal is an artist based in Gaza. She gained her BA degree in Fine Arts from Al-Aqsa University. Since 2009, she has participated in several group exhibitions, such as the “Qurban” exhibition at the Women Media Information Center and “Canaanite” exhibitions at the French Cultural Center in Gaza. She has also participated in a number of auctions; the annual Jerusalem auction in 2009 and ‘Colors of Hope’ in 2010 and 2011. Her work has been exhibited in a number of collective international exhibitions: she presented “40 Days of My Life” in Germany, and has contributed to exhibitions in Jordan, Belgium and Italy. She has had two solo exhibitions, “Salt of Memory” in 2012 and “The Effect of Light and Glass” in 2014 in Gaza.