Majd Abdel Hamid is a Palestinian visual artist based in Ramallah. He hopes Disarming Design’s collaborations will give Palestinian visual heritage a tool to reflect its deeper current realities. ‘It’s something we don’t have within the Palestinian community, design as a discourse. People mainly develop things on their own here. We’re kind of in a static limbo, we’re stuck with symbols, we’re stuck with the Palestinian map, we’re stuck with Handala… This is an opportunity to actually recreate something and have our own form of deconstructionism, not for the sake of deconstruction itself, but rather to rethink our national symbols and our visual narrative." Majd was the coordinator of Disarming Design in 2012 and 2013.
With photographs, videos, installations, films, and performative interventions focused on his native Palestine, multidisciplinary artist Khaled Jarrar explores the sociocultural impact of modern-day power struggles on ordinary citizens. The everyday subjects of Jarrar’s reflective work are contextualised in ways that draw attention to the severity of the issues he examines, giving the political content of his art greater significance while underscoring the autobiographical nature of his chosen themes.
Born in Jenin in 1976, Khaled Jarrar lives and works in Ramallah, Palestine. Jarrar completed his education in Interior Design at the Palestine Polytechnic University in 1996 and later graduated from the International Academy of Art Palestine with a Bachelor in Visual Arts degree in 2011. The following year, his documentary The Infiltrators (2012) won several accolades at the 9th Annual Dubai International Film Festival, and confirmed his importance in global cinema.
Vivien Sansour is a life style writer, producer, and photographer. She has been capturing the stories of Palestinian farmers for the wider world. Trained in the field of Anthropology Vivien worked with farmers in Honduras, Uruguay, and Palestine on issues relating to agriculture and independence. In the last three years while living with Producer communities in the Northern West Bank villages she created a series of producer and village profiles published in her book, “Insisting on Life: A Community at Work” which was developed for Canaan Fair Trade. In these 36 profiles of people and communities she wrote about agricultural practices and how they relate to cultural traditions providing an ethnographic overview of rural life in Palestine. She has produced several short films and one feature film, “The People and the Olive” which received high acclaim from critics including the Boston Globe’s Loren King who called the film, “An inspirational thriller.” The People and The Olive was the official selection for several film festivals including, Chicago International Social Change film festival and the Unspoken Human Rights film festival.
Mirte van Duppen is a Dutch designer, researcher and visual artist. She studied Graphic Design at ArtEZ Institute of the Arts in Arnhem (BA Design) and graduated from the Design Department, alias Think Tank for Visual Strategies, of the Sandberg Instituut in Amsterdam (MA Design).
In her work she analyses the function, interrelations and transformative powers of urban landscapes and the human interaction with these landscapes. With her intuitive and at the same time really precise way of documenting she shows, reveals and evokes something from the viewer. Through direct interaction with these landscapes, and their underlying (un)-written rules, functions, history, and their users, she explores the terrain between fieldwork and storytelling.
Aya Abu Ghazaleh received her bachelor's degree in visual arts from The University of Jordan in 2013 with honor.
She has participated in a number of group exhibitions in: Amman design Week, I:OArt Residence Bahçecik Izmit, Turkey, Palestinian art court/ Jerusalem , Naila gallery/ Ryiadah, Cairo-Amman, Bank Gallery, The Spring Sessions, Fondazione Cini/ Venice, The Lab/ DaratAlfunon, University of Jordan Library, Nabad Gallery, The Studio.
Majal is an artist based in Gaza. She gained her BA degree in Fine Arts from Al-Aqsa University. Since 2009, she has participated in several group exhibitions, such as the “Qurban” exhibition at the Women Media Information Center and “Canaanite” exhibitions at the French Cultural Center in Gaza. She has also participated in a number of auctions; the annual Jerusalem auction in 2009 and ‘Colors of Hope’ in 2010 and 2011. Her work has been exhibited in a number of collective international exhibitions: she presented “40 Days of My Life” in Germany, and has contributed to exhibitions in Jordan, Belgium and Italy. She has had two solo exhibitions, “Salt of Memory” in 2012 and “The Effect of Light and Glass” in 2014 in Gaza.