As a half Palestinian half Czech designer, I always saw my point of view in design of taking the traditional Palestinian heritage and presenting it in a new “European” way. My aesthetic has always driven me to plunge into designs incorporating symbols typical of Palestine or calligraphy. When I was invited to take part on this project I had no idea what I was going to do, and I enjoyed brainstorming and hanging out with the various designers; seeing my native city Bethlehem through their eyes. My biggest realization was that as much as I looked through my European part upon my Palestinian heritage and surrounding I would never be able to see what they saw —despite the fact that I lived abroad for more than 10 years. This realization drove me to design what I call the “identity collection” or series, which start from a finger print telling the story of each Palestinian carrying a hawwyieh (Palestinian ID card) having to pass the checkpoint, to olive wood heel platform sandals decorated with the Palestinian kuffiyeh, and beautiful colorful happy mosaic and clay map of Palestine rings. All in referral to how this journey helped me realize that I will always see Palestine, and always refer to it in my work, through my Palestinian eyes, because that is who I am, that is my identity.
I am very grateful for all the people whom I met throughout this journey, many have been so helpful and patient with me and taught me new things, which helped my ideas and work come to life. Some of the artisans were a revelation to me, as I stumbled upon them like upon a treasure chest in a desert. I was so inspired by the many personalities and stories I have encountered in those short two weeks, and I loved every bit of it. The workshop has inspired me to do so much more and work with new materials, as well as taken me to far away cities in Palestine like Qalqilya and Tulkarem —which are hard for me to reach otherwise.
I hope this project will bring a lot of opportunities to the local artisans we worked with, as they work hard every day and are undervalued. I am stunned at their craftsmanship and modesty and hope that this is only the beginning of a great revolution on the local handmade goods market!
Ayed Arafah was born in Jerusalem and grew up in Dheisheh refugee camp. Nowadays, he works and lives in Ramallah. He has a BA degree in contemporary visual art from The International Academy of Art and a BA in social work from Al Quds Open University. Combining classic and contemporary media, he explores the conceptual image that aims to motivate a better understanding about the self (my self and others) in relation with society’s issues related to politics, culture and economics. His aim is to engage with different levels of society.
As a designer and researcher Rebekka Fries monitors and frames, disconnected world views produced by mass and social media. Recently graduated with a Master in Design: Visual Strategies at the Sandberg Institute in Amsterdam and currently based in Rotterdam.
Tessel Brühl is a Dutch designer based in Amsterdam, where she attended the master in Think Tank for visual Strategies at the Sandberg Instituut (Master Rietveld Academie). She makes clothing, objects, performances and short films to change, disturb and highlight unconscious structures in society.
I love trees; I love my olive trees; my trees; have feelings; when I stand; on the ground; with their roots; under my feet
we feel each other
in the earth
will move us
I couldn’t live
I eat the olives
heats my house
spread this story
Mohamed is an artist and designer born in Gaza in 1983, working in art and crafts especially manuscripts and woodwork. and also running art workshops with the kids. Interested in producing art pieces of used materials and turn them into useful and meaningful pieces.
"As a designer, social and political subjects are my main interest. In my design process, I look at current situations and I speculate how that situation could have been different. It is not so much a working method as an attitude and a critical perspective. In every subject I search for a way to confront the public with a dilemma. In this confrontation I hope to challenge the public to think in a different way about the subject. I want them to question whether or not the scenario is real and serious or fictitious and ironic. A speculative attitude helps me in constructing a narrative about this possible present or future situation." (From ARNHEMSE NIEUWE 20x20 talk 2015)