Aya Abu Ghazaleh received her bachelor's degree in visual arts from The University of Jordan in 2013 with honor.
She has participated in a number of group exhibitions in: Amman design Week, I:OArt Residence Bahçecik Izmit, Turkey, Palestinian art court/ Jerusalem , Naila gallery/ Ryiadah, Cairo-Amman, Bank Gallery, The Spring Sessions, Fondazione Cini/ Venice, The Lab/ DaratAlfunon, University of Jordan Library, Nabad Gallery, The Studio.
As a half Palestinian half Czech designer, I always saw my point of view in design of taking the traditional Palestinian heritage and presenting it in a new “European” way. My aesthetic has always driven me to plunge into designs incorporating symbols typical of Palestine or calligraphy. When I was invited to take part on this project I had no idea what I was going to do, and I enjoyed brainstorming and hanging out with the various designers; seeing my native city Bethlehem through their eyes. My biggest realization was that as much as I looked through my European part upon my Palestinian heritage and surrounding I would never be able to see what they saw —despite the fact that I lived abroad for more than 10 years. This realization drove me to design what I call the “identity collection” or series, which start from a finger print telling the story of each Palestinian carrying a hawwyieh (Palestinian ID card) having to pass the checkpoint, to olive wood heel platform sandals decorated with the Palestinian kuffiyeh, and beautiful colorful happy mosaic and clay map of Palestine rings. All in referral to how this journey helped me realize that I will always see Palestine, and always refer to it in my work, through my Palestinian eyes, because that is who I am, that is my identity.
I am very grateful for all the people whom I met throughout this journey, many have been so helpful and patient with me and taught me new things, which helped my ideas and work come to life. Some of the artisans were a revelation to me, as I stumbled upon them like upon a treasure chest in a desert. I was so inspired by the many personalities and stories I have encountered in those short two weeks, and I loved every bit of it. The workshop has inspired me to do so much more and work with new materials, as well as taken me to far away cities in Palestine like Qalqilya and Tulkarem —which are hard for me to reach otherwise.
I hope this project will bring a lot of opportunities to the local artisans we worked with, as they work hard every day and are undervalued. I am stunned at their craftsmanship and modesty and hope that this is only the beginning of a great revolution on the local handmade goods market!
Annelys de Vet (1974, NL) is a Brussels based designer, initiator and curator, founder of a bureau for graphic research and cultural design DEVET. Since 2009 she heads the master in design ‘Think tank for visual strategies’ at the Sandberg Instituut Amsterdam (Masters Rietveld Academie) — where she earned an MDes herself in 1999. She is the co-founder and director of the inclusive design label ‘Disarming Design from Palestine’ that develops, presents and sells useful products from Palestine. The goods are designed during yearly workshops in Palestine with local and international designers that research existing production methods to produce new products that narrate about Palestine’s current reality. Since 2003 De Vet initiated a series of subjective atlases that map countries from a human perspective; including Subjective atlas of Palestine (2007), Subjective atlas of Mexico (2011), Subjective atlas of Fryslân (2013) and Subjective atlas of Colombia (2015) – the next edition will map Pakistan (2016). De Vet co-organized the Masterclass Mediafonds@Sandberg (2009–2015) which is a laboratory for new forms of digital storytelling for media makers, journalists, artists and designers. From 2003 to 2007 she initiated, designed and organized the ’Temporary Museum Amsterdam’, which was the side program of the art fair Art Amsterdam. She co-curated the exhibition ‘UNMAPPING THE WORLD’ on critical contemporary mapping practices, for the ExperimentaDesign biennale 2014 in Lisbon and for the international Graphic Design Festival in Chaumont (2015).
Khaled Hourani is a Palestinian artist, curator, and art critic. He is the initiator of the project Picasso in Palestine. He attained a BA in History from Hebron University and was awarded the title of Cultural Management Trainer by Al Mawred Culture Resource and the European Cultural Foundation (Egypt). He has had several solo exhibitions locally and internationally and participates frequently in-group exhibitions. Hourani has curated and organized several exhibitions locally such as the young Artist of the Year Award for the years 2000 and 2002 for the A.M. Qattan Foundation. He was the curator of the Palestinian pavilion for Sao Paolo Biennale, Brazil and the 21st Alexandria Biennale, Egypt. He writes critically in the field of art and is an active member and founder of artistic and administrative boards in a number of cultural and art institutions. Hourani is was the Arts Director of the International Academy of Art Palestine and founded Disarming Design from Palestine with Annelys de Vet.