Moniek Driesse is a research based designer in arts and architecture. She considers art and design as powerful tools to catalyze dialogue on political, social and cultural issues. From her interest in working at the boundaries of disciplines, she works in diverse projects, increasingly focused on artistic practice and architecture in contexts of conflict, and the development of tools for dialogue and activism. Within those (self initiated) projects she utilizes design, curating, publishing and education, to create a cohesive practice that connects arts, politics, (social) science and daily reality. Therefore she collaborates with fellow professionals, foundations, cultural institutions, universities, and, most of all, the potential users. Their stories, questions, wishes and needs are the main source of inspiration; the reality to act upon.
Nour Nshweiat is the founder and designer of N Products, with 10 years of experience in home furnishing and product design. N Products are recycling abandoned items into home furniture and useful products. ‘Products with stories’ is the slogan of N products.
Callum Copley is a researcher and writer based in Amsterdam and the UK, examining how emerging technologies constitute new forms of political and cultural domination. His work uses fiction as a method to propose alternative futures with which to enact radical change in the present. He is also co-founder of ‘Schemas of Uncertainty’ an ongoing research initiative exploring the role of prediction in contemporary digitized society.
Ghadeer is a Palestinian interior designer based in Jerusalem. In this moment she is part of the Disarming Design Team as Production Manager.
"On the market you see our heritage being used with a sort of ‘Copy-Paste’ attitude and this is why after some time, the products became outdated, repetitive and not responsive to the fast changing of contemporary societies we live in. The same goes also for the design of the products; stiking a piece of embroidery on an object is not enough to make it stand out as a Palestinian item and the narration behind the product becomes weaker anad not be perceivable by other people. Today, with technology, everything changes so fast and so sudden, we need to be able to act upon what is happening around us. The beauty of the past needs to be reinvented according to the possibilities and necessities we have today, in a creative and well thought way." (From the interview with Ghadeer Dajani December 2015)
“Art, design, crafts, they all have to be part of the resistance against the occupation, as an element within a mosaic power against foreign rule. It has to reflect the beauty and the strength of Palestine, just like poetry and literature are doing. DDFP brings this together, representing a circle of artists and artisans, as well online as to the rest of the world.
Before I attended my first create shop in 2015, I wasn’t thinking to highly of our local crafts production. It felt as it was being restricted to traditional embroidery, and to the usual products in ceramics and glass and so on. For us, we always saw the same things over and over again in the market. There was never someone who would do something different or revolutionary. Disarming design made us aware that we have this heritage and that we could something new with it. That it is Palestinian, a part of our identity and that we can be proud of it.
It feels that until now people have been scared to try new things. In the way artisans were doing things they were earning their living. So why risk all that for doing something out of the box? The idea of working with designers is also very new. We weren’t really trusted with our innovative, creative concepts and approaches. So collaborating felt like an experiment for both sides, where people stepped in with quite some reservations and resistance. It took time to overcome these sentiments. But after a while, it turned out to be very beneficial for all of us. I definitely have developed my ideas thanks to the way the craftspeople I have worked with have taught me new techniques and different ways of doing things.
DDFP is trying to support low and middle-income businesses, but it is true that they currently cannot significantly contribute to the financial sustainability of any of the artisans or designers. What we see happening on the other hand is that they start to become a catalyst for other NGO and organisations, and maybe, when they all would join forces, we can work towards a more worthwhile economical position.
It is nice to see that people, after they participated at the create shops, are starting to create an independent network. It seems that we finally are going to reach a point that we can establish a network that can include everybody involved and interested in Palestinian design and crafts. We are not there yet, but it is definitely under construction.”( From Kurt Vanbelleghem interview, Can one really benefit from a social design project, or is it just another spin at the wheel?)
Ibrahim is a Palestinian architect based in Jerusalem.
"Each of the designs developed in the create shops are representing the situation of the people in the West Bank, Gaza or Jerusalem. They deal with the wall, the checkpoints, the violence, the closed borders and so on and at the same time they express our pride to be from Palestine. Through DDFP, we are encouraged to do more to show to the world the current atrocious situation.
It may be true that the revenue side is still under construction, but I find it more important that we create a symbolic economy. When people from all over the world are buying and using our objects, we enable them to make a comment on our case and we allow them to join the resistance. Money well invested, if you ask me.
By participating in DDFP I really challenged myself and I improved my thinking. I expanded my field of expertise and I created things that I never thought possible. To me, it was especially an imaginative development."(From Kurt Vanbelleghem interview, Can one really benefit from a social design project, or is it just another spin at the wheel?)
Martin Petrelli is an Italian designer and documentarian who has spent most of her life in flux, moving from one country to another. In her travels, she has developed a keen eye for collecting, recording and archiving. In collaboration with Donna Verheijden she filmed a documentary, The House of the Eyes, in the West Bank during the fist Palestinian Art biennale which also coincided with the latest attacks in Gaza.
Shaimaa Hassanein is an artist and designer from Gaza, graduate of the Faculty of Fine Arts in 2016, interested in drawing portraiture and Model, work with children and youth in art and murals painting workshops.
Designer Nadira Alaraj and the Kattan family silversmiths do incredible work in Bethlehem. The silver zaytouna jewelry features handcrafted olive leaves from sterling silver. Designers pick the olive leaves and cast them to create unique molds. Every single silver leaf is individually formed from a mold that is only used once, rendering unique, one-of-a-kind leaves.
Majal is an artist based in Gaza. She gained her BA degree in Fine Arts from Al-Aqsa University. Since 2009, she has participated in several group exhibitions, such as the “Qurban” exhibition at the Women Media Information Center and “Canaanite” exhibitions at the French Cultural Center in Gaza. She has also participated in a number of auctions; the annual Jerusalem auction in 2009 and ‘Colors of Hope’ in 2010 and 2011. Her work has been exhibited in a number of collective international exhibitions: she presented “40 Days of My Life” in Germany, and has contributed to exhibitions in Jordan, Belgium and Italy. She has had two solo exhibitions, “Salt of Memory” in 2012 and “The Effect of Light and Glass” in 2014 in Gaza.