Mohammad Saleh is currently a Jerusalem based ecological space designer and green activist. He has a degree in Psychology, and another in Musicology. He has been engaged in the cultural and art sector of Palestine for several years, working at the Palestinian Art Court, followed by works in visual production related to Palestinian life. In recent years Mohammed has been leading an ecological and sustainable life and since 2015 he has been professionally designing sustainable and green spaces.
"Since the very first moment of us working together, I have been learning about my country in a totally different, positive and hopeful way. Living and working in Palestine is constantly being confronted with a harsh reality and a negative context. DDFP brings something positive out of a negative thing. The problems, the occupation and the constant present violent atmosphere are used as sources for inspiration. Now we can spread our stories using creative, productive and positive thinking.
The market is indeed flooded with products from China and Israel, and because easy consumerism is more appealing, most people don’t think that they can actually do what they want themselves. Our artisans are also caught up in this pattern of consumerism and tend to only produce what the market wants, over and over again.
To me the beauty of DDFP lies in the fact that in a very perceptive way they managed to harvest the resources that were already here in my country. They looked at the existing networks; they looked for people who already had their own ideas and for artisans with amazing abilities. This meant that they didn’t have to train people, neither to educate designers or to make design. They only needed to say that collaborating was important and that it was possible. They did make all of the participating local designers look totally different at these crafts studios. Before, when we past by an artisans’ shop, we perceived it as exotic and on rare occasions we would take a photo of it. But the idea never came to our mind to show any interest in what that man was doing. Let alone that we could imagine a possible collaboration.
There is indeed the potential for DDFP to become an important economical factor, but this is not the case yet. We will definitely need a couple of more years before we will be able to start investing in local productions from the profits that we can make from the sales. For the moment this is our Achilles heel. We often lack the funds to pay for new productions, so we need to look for investment money in different ways, which can be quite challenging.
Our identity is not defined in a positive way. We are getting constantly accused and we are seen as a bad nation. By joining DDFP, I found a unique opportunity to tell my own story and to make an object that performs that story. So when people are buying it, they indicate that they believe in your story. This empowers the feeling that I, that we can. That it is possible."(From Kurt Vanbelleghem interview, Can one really benefit from a social design project, or is it just another spin at the wheel?)
With photographs, videos, installations, films, and performative interventions focused on his native Palestine, multidisciplinary artist Khaled Jarrar explores the sociocultural impact of modern-day power struggles on ordinary citizens. The everyday subjects of Jarrar’s reflective work are contextualised in ways that draw attention to the severity of the issues he examines, giving the political content of his art greater significance while underscoring the autobiographical nature of his chosen themes.
Born in Jenin in 1976, Khaled Jarrar lives and works in Ramallah, Palestine. Jarrar completed his education in Interior Design at the Palestine Polytechnic University in 1996 and later graduated from the International Academy of Art Palestine with a Bachelor in Visual Arts degree in 2011. The following year, his documentary The Infiltrators (2012) won several accolades at the 9th Annual Dubai International Film Festival, and confirmed his importance in global cinema.
Sherida Kuffour is a Graphic Designer and Illustrator from The Netherlands, where she currently studies an MA in Design at the Sandberg Instituut. As a multi-disciplinary designer, with experience in publishing, navigational design and branding, strategic approaches to projects and brand developments ensure a thorough and critical work process.
"As a designer, social and political subjects are my main interest. In my design process, I look at current situations and I speculate how that situation could have been different. It is not so much a working method as an attitude and a critical perspective. In every subject I search for a way to confront the public with a dilemma. In this confrontation I hope to challenge the public to think in a different way about the subject. I want them to question whether or not the scenario is real and serious or fictitious and ironic. A speculative attitude helps me in constructing a narrative about this possible present or future situation." (From ARNHEMSE NIEUWE 20x20 talk 2015)
Mirte van Duppen is a Dutch designer, researcher and visual artist. She studied Graphic Design at ArtEZ Institute of the Arts in Arnhem (BA Design) and graduated from the Design Department, alias Think Tank for Visual Strategies, of the Sandberg Instituut in Amsterdam (MA Design).
In her work she analyses the function, interrelations and transformative powers of urban landscapes and the human interaction with these landscapes. With her intuitive and at the same time really precise way of documenting she shows, reveals and evokes something from the viewer. Through direct interaction with these landscapes, and their underlying (un)-written rules, functions, history, and their users, she explores the terrain between fieldwork and storytelling.
Khaled Hourani is a Palestinian artist, curator, and art critic. He is the initiator of the project Picasso in Palestine. He attained a BA in History from Hebron University and was awarded the title of Cultural Management Trainer by Al Mawred Culture Resource and the European Cultural Foundation (Egypt). He has had several solo exhibitions locally and internationally and participates frequently in-group exhibitions. Hourani has curated and organized several exhibitions locally such as the young Artist of the Year Award for the years 2000 and 2002 for the A.M. Qattan Foundation. He was the curator of the Palestinian pavilion for Sao Paolo Biennale, Brazil and the 21st Alexandria Biennale, Egypt. He writes critically in the field of art and is an active member and founder of artistic and administrative boards in a number of cultural and art institutions. Hourani is was the Arts Director of the International Academy of Art Palestine and founded Disarming Design from Palestine with Annelys de Vet.