Khaled Hourani is a Palestinian artist, curator, and art critic. He is the initiator of the project Picasso in Palestine. He attained a BA in History from Hebron University and was awarded the title of Cultural Management Trainer by Al Mawred Culture Resource and the European Cultural Foundation (Egypt). He has had several solo exhibitions locally and internationally and participates frequently in-group exhibitions. Hourani has curated and organized several exhibitions locally such as the young Artist of the Year Award for the years 2000 and 2002 for the A.M. Qattan Foundation. He was the curator of the Palestinian pavilion for Sao Paolo Biennale, Brazil and the 21st Alexandria Biennale, Egypt. He writes critically in the field of art and is an active member and founder of artistic and administrative boards in a number of cultural and art institutions. Hourani is was the Arts Director of the International Academy of Art Palestine and founded Disarming Design from Palestine with Annelys de Vet.
Ayed Arafah was born in Jerusalem and grew up in Dheisheh refugee camp. Nowadays, he works and lives in Ramallah. He has a BA degree in contemporary visual art from The International Academy of Art and a BA in social work from Al Quds Open University. Combining classic and contemporary media, he explores the conceptual image that aims to motivate a better understanding about the self (my self and others) in relation with society’s issues related to politics, culture and economics. His aim is to engage with different levels of society.
Mohammed Musallam was born in Gaza in 1974 after his family had been dislocated from the historic Palestine as a consequent of the 1948 war.
He holds a PhD in philosophy of Fine Arts, Painting Department, Fine Arts College, Minia University, Egypt. He currently resides in Gaza and works there as a lecturer of “Painting and the History of Palestinian Arts” at the College of Arts, Al Aqsa University.
From his first steps as a university student he became greatly influenced by the abstract art processes and approaches.
In his Art, he focuses on portraying a range of humanistic issues, which go beyond the limitations imposed by any prevailing time-related matters, which may be oppressive and persistent simultaneously. At the same time, he concentrates on conveying the notion of the preservation of our humaneness amid the harshness of our environment as one of the most important reasons for our existence.
Martin Petrelli is an Italian designer and documentarian who has spent most of her life in flux, moving from one country to another. In her travels, she has developed a keen eye for collecting, recording and archiving. In collaboration with Donna Verheijden she filmed a documentary, The House of the Eyes, in the West Bank during the fist Palestinian Art biennale which also coincided with the latest attacks in Gaza.
"As a designer, social and political subjects are my main interest. In my design process, I look at current situations and I speculate how that situation could have been different. It is not so much a working method as an attitude and a critical perspective. In every subject I search for a way to confront the public with a dilemma. In this confrontation I hope to challenge the public to think in a different way about the subject. I want them to question whether or not the scenario is real and serious or fictitious and ironic. A speculative attitude helps me in constructing a narrative about this possible present or future situation." (From ARNHEMSE NIEUWE 20x20 talk 2015)
Donna Verheijden is a Dutch designer based in Amsterdam who studied at the Sandberg Instituut. Her work is undeniably iconic - her videos feature mashups of vintage hollywood end-credits, moments of incredible cinematographic choreography, universally recognizable found footage and self-shot images of everyday life. An interesting intersection of banality and politics, between universal imagery and absolute specificity. In collaboration with Martina Petrelli she filmed a documentary, The House of the Eyes, in the West Bank during the fist Palestinian Art biennale which also coincided with the latest attacks in Gaza.