Rand Abu Al-Sha’r hails from Amman, Jordan, and is an architectural studies major. She completed her thesis on rethinking refugee shelter design and is interested in incorporating sustainability within architecture.
Designer Nadira Alaraj and the Kattan family silversmiths do incredible work in Bethlehem. The silver zaytouna jewelry features handcrafted olive leaves from sterling silver. Designers pick the olive leaves and cast them to create unique molds. Every single silver leaf is individually formed from a mold that is only used once, rendering unique, one-of-a-kind leaves.
Sherida Kuffour is a Graphic Designer and Illustrator from The Netherlands, where she currently studies an MA in Design at the Sandberg Instituut. As a multi-disciplinary designer, with experience in publishing, navigational design and branding, strategic approaches to projects and brand developments ensure a thorough and critical work process.
Our second day in Palestine, started on the first day of October. The night before, the white rabbit had lead us save and in time through its hole and nobody of us could really believe that we have had no problems with the Queen of Hearts and her guards; that we were finally here, in miraculous Ramallah.
The evening lead us into the workshop of the rabbits old friend, the crazy cobbler whose favourite time of the day had just begun, the night. Our party member Majnuna, skilled in all kinds of crafts and arts, found herself in Wonderland, tried all his machines and agreed on becoming the cobblers apprentice.
But no night shall pass without the celebration of our non-birthday, and so our glasses were filled with a white liquid called Arak, which is not Raki, nor it is Ouzo —no matter what the bottle says. The glasses where wicked too and filled themselves each time we tried to empty them. The Rabbits and Cobblers old friend, the March Hare, joined our party and the night went on with talks about pleasures and inconveniences, the Queen of hearts and her guards, about the amazing creatures of Wonderland and their ability to make so much good out of so much nothing.
Finally we were brought to our hotel by the crazy cobbler on his flying carpet. Waking up after a short sleep which had given our livers too little time to digest the «don’t-call-it-Ouzo» we hurried on to our base for the next 10 days, where this very famous guy was born about 2000 years ago; who had a long beard, many followers and could turn water into wine. There, in the city of eternal Christmas, we were introduced to our new friends, inhabitants of Wonderland, skilled craftsmen and -women of whom we were going to learn so much.
Writing this in retrospect is a matter of great difficulties. Here in Wonderland things are different than they appear. Weeks, especially the last not yet two, can feel like months or years. The ones who seem defeated can be more free than their conquerors. To reach the place across the street, only some meters away, can be a journey of years.
We learned a lot, especially to open our eyes and listen and not to rely on the knowledge we brought with us in our baggage. We smoked the Argeelah with the local caterpillars which will certainly turn into butterflies some day. We made friends in Wonderland and once we are back home we will see things a little bit with their eyes and we will wonder and tell about Wonderland.
Mohammed Musallam was born in Gaza in 1974 after his family had been dislocated from the historic Palestine as a consequent of the 1948 war.
He holds a PhD in philosophy of Fine Arts, Painting Department, Fine Arts College, Minia University, Egypt. He currently resides in Gaza and works there as a lecturer of “Painting and the History of Palestinian Arts” at the College of Arts, Al Aqsa University.
From his first steps as a university student he became greatly influenced by the abstract art processes and approaches.
In his Art, he focuses on portraying a range of humanistic issues, which go beyond the limitations imposed by any prevailing time-related matters, which may be oppressive and persistent simultaneously. At the same time, he concentrates on conveying the notion of the preservation of our humaneness amid the harshness of our environment as one of the most important reasons for our existence.